dr hab. Marzena Sokołowska-Paryż

Stanowisko: adiunkt

Telefon: +48 (22) 5531415
E-mail: Ten adres pocztowy jest chroniony przed spamowaniem. Aby go zobaczyć, konieczne jest włączenie w przeglądarce obsługi JavaScript.

Termin dyżuru dostępny jest tutaj

 

Przebieg kariery naukowej:

  • Magister, Uniwersytet Warszawski, 1992
  • Doktor nauk humanistycznych, Uniwersytet Warszawski, 2000
  • Doktor habilitowany nauk humanistycznych, Uniwersytet Warszawski, 2013

Zainteresowania naukowe:

  • pierwsza wojna światowa w literaturze i filmie;
  • druga wojna światowa w literaturze i filmie;
  • miejsca pamięci w literaturze i filmie (memorial studies);
  • Trzecia Rzesza w literaturze i filmie;
  • historie alternatywne;
  • historia i pamięć w literaturze i filmie;
  • przemoc i cierpienie w literaturze i filmie
  • zjawisko traumy (trauma studies)
  • (de)konstruowanie tożsamości narodowej we współczesnej literaturze Wielkiej Brytanii i Wspólnoty Narodów.

Wybrane publikacje:

Książki:

  • Löschnigg, M., Sokołowska-Paryż, M. (red.) (2014) The Great War in Post-Memory Literature and Film. Berlin and Boston: Walter de Gruyter, 2014.
  • Sokołowska-Paryż, M. (2012). Reimagining the War Memorial, Reinterpreting the Great War: The Formats of British Commemorative Fiction. Newcastle upon Tyne: Cambridge Scholars Publishing.
  • Sokołowska-Paryż, M. (2002). The Myth of War in British and Polish Poetry, 1939-1945. Brussels: P.I.E./ Peter Lang.

Artykuły / rozdziały książek:

  • Sokołowska-Paryż, M. (2016) “War Rape: Trauma and the Ethics of Representation.” Traumatic Memories of the Second World War and After. Eds. Peter Leese and Jason Crouthamel. New York: Palgrave Macmillam. 223-244.
  • Sokołowska-Paryż, M. (2016) “The Second World War in Recent Polish Counterfactuals and Alternative (Hi)stories.” The Long Aftermath: Historical and Cultural Legacies of Europe at War (1936-1945). Eds. Manuel Bragança and Peter Tame. New York and Oxford: Berghahn Books. 316-330.
  • Sokołowska-Paryż, M. (2015) “The Great War in Popular Detective Fiction.” The Great War: From Memory to History. Eds. Jonathan F. Vance, Kellen Kurschinski, Matt Symes, Steve Marti, and Alicia Robinet. Waterloo, Ontario: Wilfrid Laurier University Press. 79-98.
  • Sokołowska-Paryż, M. (2015) “Remembering German Canadians in Jane Urquhart’s The Stone Carvers and Paul Gross’s Passchendaele: ‘Alien Citizens’ versus ‘the Birth of a Nation.’” North America, Europe and the Cultural Memory of the First World War. Eds. Martin Löschnigg and Karin Kraus. Heidelberg: Universitätsverlag Winter. 121-132.
  • Sokołowska-Paryż, M. (2015) “Re-imagining the Thiepval Memorial to the Missing of the Somme in Contemporary British Writing.” Re-Imagining the First World War: New Perspectives in Anglophone Literature and Culture. Eds. Anna Branach-Kallas and Nelly Strehlau. Newcastle upon Tyne: Cambridge Scholars Publishing. 92-109.
  • Sokołowska-Paryż, M. (2015) “(Re)Remembering the Great War in Deathwatch.” Horrors of War: The Undead on the Battlefield. Eds. Cynthia Miller and A. Bowdon Van Riper. Lanham, Boulder, New York and London: Rowman and Littlefield. 118-135.
  • Sokołowska-Paryż, M.,  Löschnigg, M. (2014)  “Introduction: Have you forgotten yet…” The Great War in Post-Memory Literature and Film. Eds. Martin Löschnigg and Marzena Sokołowska-Paryż. Berlin and Boston: Walter de Gruyter. 1-13.
  • Sokołowska-Paryż, M.  (2014) “The Great War and the Easter Rising in Tom Phelan’s The Canal Bridge: A Literary Response to the Politics of Commemoration in Ireland.” The Great War in Post-Memory Literature and Film. Eds. Martin Löschnigg and Marzena Sokołowska-Paryż. Berlin and Boston: Walter de Gruyter. 335-347.
  • Sokołowska-Paryż, M. (2013) “Reimagining the Great War in Grand-Historical Narratives: A Transnational Perspective on European History in the Twentieth Century.” Mnemosyne and Mars: Artistic and Cultural Representations of Twentieth-century Europe at War. Eds. Peter Tame, Dominique Jeannerod and Manuel Bragança. Newcastle upon Tyne: Cambridge Scholars Publishing. 327-342.
  • Sokołowska-Paryż, M. (2012). "The Narration and Visualization of Rape and the Inadvertent Subversion of the Anti-War Message in Brian De Palma’s Redacted and Casualties of War", War, Literature and the Arts, 24. http://wlajournal.com/24_1/pdf/Sokolowska-Paryz.pdf
  • Sokołowska-Paryż, M. (2012). "The Great War Revisited: The Laughter of the Fool and the Shame of the Coward in Paul Bailey’s Old Soldiers". Anglica, 21 (1), 17–30.
  • Sokołowska-Paryż, M. (2012). "The naked male body in the war film", Journal of War and Culture Studies, 5(1), 21–32.
  • Sokołowska-Paryż, M. (2012). "Images of the Past: History and Memory as Photography in Graham Swift’s Out of this World", Acta Philologica, 41, 29–37.
  • Sokołowska-Paryż, M. (2011). "Poet Laureates Remember the Last Veteran: Literature in the Functions of Monument and Memorial and the Rituals of National Commemoration", w: L. Gruszewska i D. Malcolm (red.), Here/Now - Then/There: Traditions, Memory, Innovation in Modern British and Irish Poetry. Vol. 5 (pp. 180–195). Gdańsk: Wydawnictwo Uniwersytetu Gdańskiego.
  • Sokołowska-Paryż, M. (2010). "The court-room drama convention and the Scapegoats of the Empire in Bruce Beresfords’s film Breaker Morant". w: G. Bystydzieńska i E. Harris (red.), From Queen Anne to Queen Victoria. Readings in 18th and 19th century British literature and culture vol. 2 (pp. 429–440). Warszawa: Ośrodek Studiów Brytyjskich.
  • Sokołowska-Paryż, M. (2009). "The Aesthetic Function of the Document / The Documentary Value of Literature: Truman Capote’s In Cold Blood", Polish Journal for American Studies: Yearbook of the Polish Association for American Studies, 3, 141–153.
  • Sokołowska-Paryż, M. (2008). "Re-writing Joseph Conrad’s Heart of Darkness: Inter-textual dimensions of David Malouf’s Fictive History in The Conversations at Curlow Creek", w: S. Nicieja i R. Wolny (red.), Australia: Identity, Memory and Destiny (pp. 31–40). Opole: Wydawnictwo Uniwersytetu Opolskiego.
  • Sokołowska-Paryż, M. (2005). "Document as Literature? Some Comments on the Generic Hybridity of Blake Morrison’s As If". Anglica, 14, 9–29.
  • Sokołowska-Paryż, M. (2004). "Psychologising Discourse in Blake Morrison’s The Ballad of the Yorkshire Ripper", Approaches to Literature, 3, 103–113.
  • Sokołowska-Paryż, M. (2004). "Diagnosing Discourse: Poetry and Cancer in Peter Reading’s C", Zeitschrift für Anglistik und Amerikanistik. A Quarterly of Language, Literature and Culture, LII (1), 1–17.
  • Sokołowska-Paryż, M, Cornis-Pope, M., Dąbrowski, M., Grabowicz, G., Penchev, B., Roberts, D., Slapsak, S., Snel G., Venclova T., Neubauer, J. (2004). "Nodes of Political Time: 1945", w: M. Cornis-Pope i J. Neubauer (red.), History of the Literary Cultures of East-Central Europe: Junctures and Disjunctures in the 19th and 20th Centuries. Volume I (pp. 143–176). Amsterdam / Philadelphia: John Benjamins Publishing Company.

Wystąpienia na konferencjach:

  • Canada and War / Le Canada et les guerres (Nicolaus Copernicus University, Toruń), 2016.
  • War Memories: Commemoration, Re-Enactment, Writings of War in the English-Speaking World 18th – 21st Centuries (Paris Diderot University, France), 2016.
  • History, Memory and Nostalgia: Literary and Cultural Representations (Vilnius University, Department of English Philology, LAUTE: Lithuanian Association of University Teachers of English, Lithuania), 2016.
  • Ethics of Storytelling: Historical Imagination in Contemporary Literature, Media and Visual Arts (University of Turku, Finland), 2015.
  • Sideways in Time: Alternate History and Counterfactual Narratives Conference (University of Liverpool and University of Lancaster, Liverpool, UK), 2015.
  • Les Gueles casséesdisfigurement and its legacies (University of Exeter, UK), 2015.
  • Re-Imagining the First World War: (Hi)stories, Myths and Propaganda in Anglophone Literature and Culture (Uniwersytet im. Mikołaja Kopernika, Toruń), 2014.
  • North America, Europe and the Cultural Memory of the First World War (Karl-Franzens-Universität Graz, Austria), 2014.
  • AfterShock: Post-Traumatic Cultures since the Great War (Department of English, Germanic and Romance Studies, University of Copenhagen, Denmark), 2013.
  • Memories of Conflict, Conflict of Memories (Institute of Germanic and Romance Studies, University of London, UK), 2013.
  • War and Memory: Artistic and Cultural Representations of Individual, Collective and National Memories in Twentieth-Century Europe at War. (Instytut Filozofii i Socjologii PAN and The War and Memory Research Group, Queen’s University, Belfast, Warsaw), 2012.
  • The Great War: From Memory to History, (University of Western Ontario, Canada), 2011.
  • War, Literature and the Arts Conference (United States Air Force Academy, Colorado Springs, USA), 2010.
  • War and the Body (Centre for European and International Studies Research, University of Portsmouth and the War and Media Network, London, UK), 2010.
  • Wojna i Pamięć w Literaturze, Sztuce, Języku (Gdańsk), 2009.